Sunday, Mar 09th
Last update08:31:17 AM GMT
Journalism Glance
The golden age of unions is long gone — and for the radio shows that focus on labor and workers rights, every day is a struggle just to stay on the airwaves.
There are a number of talk radio shows around the country covering — and funded by — organized labor that are still up and running, but like the labor movement as a whole, what remains is a far cry from the time when unions and the concerns of workers were a dominant part of the media landscape.
Climate change got more coverage on broadcast news in 2013 than in the previous few years, but the issue still didn't get nearly as much attention as it did in 2009, Media Matters found in a new analysis.
ABC, CBS, NBC and Fox together featured more coverage in 2013 than they did in 2012. The amount of airtime granted to climate change on both the Sunday shows and the nightly news was up, too -- to a total of 27 minutes, and an hour and 42 minutes, respectively, for the entire year. The progressive media watchdog group Media Matters totaled the time broadcasters devoted to climate change for a new report released Thursday.
Welcome to the Edward Snowden-era of national security journalism — a time when no scoop is too small, no detail too minor, and revelations about government surveillance pour forth on an almost daily basis.
It’s a significant departure from the way things used to be.
After Sept. 11, reporters and editors often heeded tremendous pressure from government officials, including the president and/or national security adviser, to hold blockbuster articles concerning classified U.S. spy operations — accepting the warnings that publishing the information could put national security in danger or even lead to another catastrophe.
One October evening, in the midst of the 2013 government shutdown, I watched Bill O’Reilly work himself into something of a state. He sat at his desk, his hands palms upward, fingers slightly curved, as if cupping something in them. “I want Hagel.” he said, staring into the camera. “I want Hagel. I want him.”
A casual observer might interpret this moment as O’Reilly expressing his fierce but tender desire for Chuck Hagel, the Secretary of Defense. More experienced O’Reilly viewers, however, will recognize it as a signal that the unfortunate Hagel had plummeted downward in O’Reilly’s estimation from pinhead to evildoer. (There are only three kinds of people in Bill O’Reilly’s world: good hardworking Americans, pinheads—people who are not actually malevolent but who are too stupid to understand the way the world really works—and evildoers.)
Israeli software developer Tal Ater has found a bug in Google Chrome that allows the browser to eavesdrop on users' conversations.
The bug was brought to Google's attention last year, and the tech giant has a fix ready for the possible security breach. But according to Ater, Google is waiting for direction from World Wide Web consortium (W3C), an organization that directs web development, about what should be done before issuing the update.
TRANSCRIPT
JESSICA DESVARIEUX, TRNN PRODUCER: Welcome to The Real News Network. I'm Jessica Desvarieux in Baltimore.
As many already know, the CEO of Amazon, Jeff Bezos, purchased one of America's largest newspapers, The Washington Post, last year. Our guest today has written an article about how this may affect American journalism. His piece is titled "Why The Washington Post's New Ties to the CIA Are So Ominous.
Now joining us is our guest, Norman Solomon. He is the cofounder of RootsAction.org.
Thanks for joining us, Norman.
In his new book The Loudest Voice in the Room, Gabriel Sherman portrays Roger Ailes as “the quintessential man behind the curtain,” a great-and-powerful Oz who has remade American politics and journalism. Sherman shows how Ailes transformed the Nixon Administration’s calls for balanced news into the platform of his cable channel, Fox News.
Fox News, Sherman argues, used “entertainment techniques to shape a political narrative that was presented as unbiased news,” something that makes Ailes “a unique American auteur.”
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